THE POETICS OF SLAM POETRY

Main Article Content

Slavčo Koviloski

Abstract

In this text we refer to slam poetry, as a performing way of presenting literature. Slam poetry is most often performed at Poetry slam competitions, festivals and other events. It is a product of urbanity and urban lifestyle and is influenced by hip hop music. The mixture of slam poetry with hip hop and other forms of expression, especially among the younger population, contributes to changing or improving the attitude towards poetry and the performing arts. Slam poetry points out problems and problematizes certain already existing and generally accepted attitudes, conditions, and critically addresses the undesirable tendencies
in the society. The techniques of making slam that are considered relevant refer to the structure, language and meaning of slam poetry. Slam functions through a language which has its own terminology and has its own poetics. Structurally, the verses can be rhymed or free, organized in stanzas, with or without punctuation. Special attention is paid to the melody and rhythm that the skilled performer uses to stress and emphasize the verses that they consider important for their performance. With its lively and playful interpretation, free from the classical notions of poetry as a genre, slam poetry and Poetry slam manifestations inspire new generations of poets who are enabled to share their views with a wider audience.

Downloads

Download data is not yet available.

Article Details

How to Cite
Koviloski, Slavčo. 2021. “THE POETICS OF SLAM POETRY”. Journal of Contemporary Philology 4 (1), 109–118. https://doi.org/10.37834/JCP21410109k.
Section
Literature

References

Ковилоски, С. (2019а). Слем-поезија. Нова Македонија, 5 јуни.
Ковилоски, С. (2019б). Лириките на хипхопот. Нова Македонија, 12 јуни.
Ќулавкова, К. (прир.). (2007). Поимник на книжевната теорија. Скопје: Македонска академија на науките и уметностите.
Лотман, Ј. М. (2005). Структурата на уметничкиот текст. Скопје: Македонска реч.

Hilborn, N. (2015). Joey. Our Numbered Days. Minneapolis: Button Poetry, Exploding Pinecone Press.
Low, B. (2011). Slam School: Learning Through Conflict in the Hip-Hop and Spoken Word Classroom. Stanford University Press.
Sherman J. R. (ed.). (1997). African-American Poetry, An Anthology, 1773-1927. Mineola, New York: Dover Publications, Inc.
Smith, М. К., Kraynak, Ј. (2009). Stage a Poetry Slam: Creating Performance Poetry Events-Insider Tips And Lots of Examples. Sourcebooks MediaFusion.
Solar, M. (2005). Teorija književnosti. Zagreb: Školska knjiga.
Somers-Willett, S. B. A. (2009). The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America. The University of Michigan Press.
Watts, Karen (compiler). (1994). 21st Century Dictionary of Slang. New York: Dell Publishing.
Williamson, J. W. (2015). The Hermeneutics of Poetry Slam: Play, Festival and Symbol. Journal of Applied Hermeneutics.