ИНСТА-ДЕВОЈЧИНСТВО: СЕЛФИJАТА КАКО АВТОПЕРФОРМАТИВНИ ОДГОВОРИ НА СЕКСИЗМОТ И НА МИЗОГИНИЈАТ
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Објавено:
Dec 25, 2022
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https://doi.org/10.37834/JCP2252009s
Клучни зборови:
Инста-девојка, #MeToo пишување за животот, афект, Ноа Џансма, Амалија Улман
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Апстракт
Во овој есеј ги разгледувам афективните естетски димензии на феминистичките уметнички проекти што критички се осврнуваат на тропата на Инста-девојка во обид да отворат прашања за културната конструкција на „девојчинството“ на социјалните медиуми и во „вистинскиот живот“. Со помош на две студии на случај –Dear Catcallers на Ноа Џансма и Excellences & Perfections на Амалија Улман, ќе ја разгледам продукцијата и консумацијата на одреден вид Инста-девојка, која ѝ е привлечна на публиката преку начини на фетишизација и абјектизација. Делото на Џансма се состои од селфија што ги има направено со мажи што ѝ свиркале на улица. Документаристичкиот карактер ја поддржува целта на нејзиниот проект да ја сними природата, опсегот и фреквентноста на свиркањето што го доживеала. Од друга страна, Excellences & Perfections на Амалија Улман го критикува градењето, пуштањето во оптек и консумацијата на тропата на Инста-девојка, постфеминистичка, доцнокапиталистичка фигура што се карактеризира со преголемо споделување интимни детали за нејзиниот секојдневен живот. Автоперформативните одговори на двете уметнички на сексистичките и мизогините тропи во социјалните медими ја поттикнуваат публиката да ги преиспита доцнокапиталистичките и неолибералните конструкции на „девојчинство“.
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Како да цитирате
Шултермандл, Силвија. 2022. “ИНСТА-ДЕВОЈЧИНСТВО: СЕЛФИJАТА КАКО АВТОПЕРФОРМАТИВНИ ОДГОВОРИ НА СЕКСИЗМОТ И НА МИЗОГИНИЈАТ”. Journal of Contemporary Philology 5 (2), 9–21. https://doi.org/10.37834/JCP2252009s.
Рубрика
Selected Articles
Copyright © 2014 Blaže Koneski Faculty of Philology, Skopje
Journal of Contemporary Philology (JCP)
Современа филологија
Референци
Ahmed, S. (2017). Living a Feminist Life. Durham, North Carolina: Duke University Press.
Ahmed, S. (2014). The Cultural Politics of Emotion. London and New York: Routledge.
Caldeira, S. P., De Ridder, S. and Van Bauwel, S. (2020). Between the Mundane and the Political: Women’s Self-Representations on Instagram. Social Media and Society 6(3), 1-14.
Berlant, L. (2011). Cruel Optimism. Durham, North Carolina: Duke University Press.
boyd, d. (2014). It’s Complicated: The Social Lives of Networked Teens. New Haven, Connecticut: Yale University Press.
Boyle, K. (2019) #MeToo, Weinstein, and Feminism. London: Palgrave Macmillan.
Butler, J. (1997) Excitable Speech: A Politics of the Performative. London and New York: Routledge.
Fileborn, B. and Loney-Howes, R. (eds.) (2019). #MeToo and the Politics of Social Change. London: Palgrave Macmillan.
de Kosnik, A. and Feldman, K. (2019). Introduction: The Hashtags we’ve Been Forced to Remember. In A. de Kosnik and K. Feldman (eds.). #Identity: Hashtagging, Race, Gender, Sexuality, and Nation, 1-19. Ann Arbor, Michigan: University of Michigan Press.
Dobson, A. S. and Harris, A. (2015). Post-Girlpower: Globalized Mediated Femininities. Continuum: Journal of Media and Cultural Studies 29(2), 143-144.
Friedman, M. and Schultermandl, S. (eds.) (2016). Click and Kin: Transnational Identity and Quick Media. Toronto: Toronto University Press.
Jansma, N. DearCatcallers: It’s not a compliment. Available from: https://www.instagram.com/ dearcatcallers/?hl=en [Accessed: October 14th, 2022].
Jansma, N. (2018). DearHaters. Available from: https://www.noajansma.com/dearhaters [Accessed: October 14th, 2022].
Maguire, E. (2018). Girls, Autobiography, Media: Gender and Self-Mediation in Digital Economies. London: Palgrave Macmillan.
Manne, K. (2017). Down Girl: The Logics of Misogyny. Oxford: Oxford University Press.
McNeill, L. (2013). Digital Dioramas: Curating Life Narratives on the World Wide Web. Paper presented at the MLA Conference, January 3rd-6th, 2013, Boston, Massachusetts.
McNeill, L. and Zuern, J. D. (2015). Online Lives 2.0: Introduction. Biography 38(2), v-xlvi.
Ngai, S. (2010). Our Aesthetic Categories. PMLA 125(4), 948-958.
Ngai, S. (2005) Ugly Feelings. Cambridge, Massachusetts: Harvard University Press.
Paasonen, S. (2020). Resonant Networks: On Affect and Social Media. In A. Fleig and von C. Scheve (eds.). Public Spheres of Resonance: Constellations of Affect and Language, 49-62. London and New York: Routledge.
Papacharissi, Z. (2015). Affective Publics: Sentiment, Technology, and Politics. Oxford: Oxford University Press.
Puar, J. (2017). The Right to Maim: Debility, Capacity, Disability. Durham, North Carolina: Duke University Press.
Poletti, A. (2020). Stories of the Self: Life Writing after the Book. New York: New York University Press.
Schultermandl, S., Aresin, J., Whybrew, S. S. P. and Simic, D. (eds.). (2020). Affective Worldmaking: Narrative Counterpublics of Gender and Sexuality. Bielefeld, Germany: Transcript.
Smith, S. and Watson, J. (1996). Introduction. In S. Smith and J. Watson (eds.). Getting a Life: Everyday Uses of Autobiography, 1-24. Minneapolis, Minnesota: University of Minnesota Press.
Ulman, A. (2014). Excellences & Perfections. 2014. Available from: https://www.newmuseum.org/ exhibitions/view/amalia-ulman-excellences-perfections [Accessed: October 14th, 2022].
Warner, M. (2002). Publics and Counterpublics. Public Culture 14(1), 49-90.
Whitlock, G. and Poletti, A. (2008). Self-Regarding Art. In G. Whitlock and A. Poletti (eds.). Autographics, v-xxiii, special issue of Biography 31(1).
Ahmed, S. (2014). The Cultural Politics of Emotion. London and New York: Routledge.
Caldeira, S. P., De Ridder, S. and Van Bauwel, S. (2020). Between the Mundane and the Political: Women’s Self-Representations on Instagram. Social Media and Society 6(3), 1-14.
Berlant, L. (2011). Cruel Optimism. Durham, North Carolina: Duke University Press.
boyd, d. (2014). It’s Complicated: The Social Lives of Networked Teens. New Haven, Connecticut: Yale University Press.
Boyle, K. (2019) #MeToo, Weinstein, and Feminism. London: Palgrave Macmillan.
Butler, J. (1997) Excitable Speech: A Politics of the Performative. London and New York: Routledge.
Fileborn, B. and Loney-Howes, R. (eds.) (2019). #MeToo and the Politics of Social Change. London: Palgrave Macmillan.
de Kosnik, A. and Feldman, K. (2019). Introduction: The Hashtags we’ve Been Forced to Remember. In A. de Kosnik and K. Feldman (eds.). #Identity: Hashtagging, Race, Gender, Sexuality, and Nation, 1-19. Ann Arbor, Michigan: University of Michigan Press.
Dobson, A. S. and Harris, A. (2015). Post-Girlpower: Globalized Mediated Femininities. Continuum: Journal of Media and Cultural Studies 29(2), 143-144.
Friedman, M. and Schultermandl, S. (eds.) (2016). Click and Kin: Transnational Identity and Quick Media. Toronto: Toronto University Press.
Jansma, N. DearCatcallers: It’s not a compliment. Available from: https://www.instagram.com/ dearcatcallers/?hl=en [Accessed: October 14th, 2022].
Jansma, N. (2018). DearHaters. Available from: https://www.noajansma.com/dearhaters [Accessed: October 14th, 2022].
Maguire, E. (2018). Girls, Autobiography, Media: Gender and Self-Mediation in Digital Economies. London: Palgrave Macmillan.
Manne, K. (2017). Down Girl: The Logics of Misogyny. Oxford: Oxford University Press.
McNeill, L. (2013). Digital Dioramas: Curating Life Narratives on the World Wide Web. Paper presented at the MLA Conference, January 3rd-6th, 2013, Boston, Massachusetts.
McNeill, L. and Zuern, J. D. (2015). Online Lives 2.0: Introduction. Biography 38(2), v-xlvi.
Ngai, S. (2010). Our Aesthetic Categories. PMLA 125(4), 948-958.
Ngai, S. (2005) Ugly Feelings. Cambridge, Massachusetts: Harvard University Press.
Paasonen, S. (2020). Resonant Networks: On Affect and Social Media. In A. Fleig and von C. Scheve (eds.). Public Spheres of Resonance: Constellations of Affect and Language, 49-62. London and New York: Routledge.
Papacharissi, Z. (2015). Affective Publics: Sentiment, Technology, and Politics. Oxford: Oxford University Press.
Puar, J. (2017). The Right to Maim: Debility, Capacity, Disability. Durham, North Carolina: Duke University Press.
Poletti, A. (2020). Stories of the Self: Life Writing after the Book. New York: New York University Press.
Schultermandl, S., Aresin, J., Whybrew, S. S. P. and Simic, D. (eds.). (2020). Affective Worldmaking: Narrative Counterpublics of Gender and Sexuality. Bielefeld, Germany: Transcript.
Smith, S. and Watson, J. (1996). Introduction. In S. Smith and J. Watson (eds.). Getting a Life: Everyday Uses of Autobiography, 1-24. Minneapolis, Minnesota: University of Minnesota Press.
Ulman, A. (2014). Excellences & Perfections. 2014. Available from: https://www.newmuseum.org/ exhibitions/view/amalia-ulman-excellences-perfections [Accessed: October 14th, 2022].
Warner, M. (2002). Publics and Counterpublics. Public Culture 14(1), 49-90.
Whitlock, G. and Poletti, A. (2008). Self-Regarding Art. In G. Whitlock and A. Poletti (eds.). Autographics, v-xxiii, special issue of Biography 31(1).