Pojam kulturalne intimnosti u djelu Viktora Pelevina
Сажетак
It is the purpose of this essay to examine how the notion of cultural intimacy has been used by modern Russian writers in an attempt to understand the intricate dynamics of irony in its handling of nationalistic ideas. Current and past forms of social organization in Russia are taken as parameters by which writers like Pelevin orient their writing, and their sensitivity to the tension between „collective self-presentation“ and the embarrassing aspects of „collective self-knowledge“ is key to understanding the role similar types of fiction have had in modern Russian literature, and also understanding their role in recording as well as creating certain forms of social behavior.
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Референце
Zagreb:
Copleston, Frederick. 1986. History of Philosophy, volume 10,
Russian Philosophy, London : Continuum
Herzfeld, Michael. 1997. Cultural Intimacy, second edition, u Social
Poetics in the Nation-State. New York: Routledge
Pelevin, Viktor. 1999. Generacija P. Zagreb: Književna Smotra
Pelevin, Viktor. 2002. Čapajev i Praznina, s ruskog prevela Natalija
Nenezić. Beograd: Posle Orfeja
Pelevin, Viktor. 2003. Omon Ra, s ruskog prevela Irena Lukšić.
Zagreb: Hrvatsko filološko društvo
Pelevin, Viktor. 2007. Sveta knjiga vukodlaka; s ruskog prevela Irena
Lukšić. Zagreb: Hrvatsko filološko društvo
Pelevin, Viktor. 2006. Dijalektika Prijelaznog
perioda, s ruskog prevela Irena Lukšić. Zagreb: Hrvatsko filološko društvo.
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